Volume-I, Issue-II, November, 2024
Volume-I, Issue-II, November, 2024 |
অশরীরী চিন্তা-চেতনায় শীর্ষেন্দুর কিশোর উপন্যাস : ভূত ও মানুষের পারস্পারিকতায় এক স্বতন্ত্র মাত্রা নমিতা হালদার, গবেষক, বাংলা বিভাগ, বর্ধমান বিশ্ববিদ্যালয়, বর্ধমান, ভারত |
Received: 12.11.2024 | Accepted: 26.11.2024 | Published Online: 30.11.2024 | Page No: 220-226 |
DOI: 10.69655/atmadeep.vol.1.issue.02W.026 | |||
The Supernatural Thought in Shirshendu’s Adolescent Novels: A Distinct Dimension in the Interaction Between Ghosts and Humans Nomita Haldar, Research Scholar, Department of Bengali, Burdwan University, Burdwan, India | ||
ABSTRACT | ||
Ghosts have long been a significant part of human culture and society, with varying representations across different communities worldwide. In literature, they appear in numerous forms, often embodying fear and mystery, especially in children's stories. The tradition of ghost stories dates back to ancient times, where ghosts were depicted as eerie and somewhat self-aware beings, often creating terrifying situations in human society. These early ghosts were deeply conscious of their existence, which led them to disturb the living. However, over time, the portrayal of ghosts has evolved, particularly from the mid-20th century, with literature reflecting a shift in how ghosts interact with humans. Instead of being enemies, ghosts began to coexist with humans in a more harmonious manner. Among the authors who have revolutionized the image of ghosts, turning them from menacing figures to more friendly ones, Shirshendu Mukhopadhyay stands out in Bengali literature. His works brought a fresh perspective to children's literature, breaking the monotony of traditional ghost stories. Mukhopadhyay infused humor into his depiction of ghosts, challenging the conventional frightening portrayal. His approach reflects a broader fascination with ghosts, which blend curiosity and fear in the human imagination. In popular belief, ghosts are the spirits of the dead, often imagined as vengeful or seeking to fulfill unresolved desires, such as the legend of the vengeful woman who becomes a ghost after dying with unfulfilled longing. Mukhopadhyay, however, dismantled these age-old myths, presenting ghosts not as terrifying enemies, but as beings who fear humans. His transformation of the ghost image is rooted in the works of earlier writers like Upendrakishore, Trailokyanath, and Parashuram, who introduced ghost stories in Bengali literature. Yet, Mukhopadhyay’s approach was unique. He combined elements of humor, simplicity, and art to redefine the ghost figure, allowing them to be part of society in a more relatable and engaging manner. This shift in how ghosts are portrayed – as beings who can coexist with humans rather than terrorize them – is the central focus of this analysis. | ||
Key Words : Shirshendu Mukhopadhyay, Ghost, Human, Society, Traditional, Juvenile literature, Terrible. |