Volume-I, Issue-III, March 2025
Volume-I, Issue-III, January, 2025 |
জ্যোতিরিন্দ্র নন্দীর নির্বাচিত গল্পে
চিত্রভাবনা
আদেশ লেট, গবেষক, বাংলা বিভাগ, কাশী হিন্দু
বিশ্ববিদ্যালয়, বেনারস, উত্তর প্রদেশ, ভারত |
Received: 12.01.2025 | Accepted: 25.01.2025 | Published Online: 30.01.2025 | Page No: 616-623 |
DOI: 10.69655/atmadeep.vol.1.issue.03W.050 | |||
Imagery in Selected Stories of Jyotirindranath Nandy
Adesh Let, Research Scholar, Dept. of Bengali,
Banaras Hindu University, Banaras, Uttar Pradesh, India | ||
ABSTRACT | ||
Jyotirindra Nandi (20 August 1912 – 3 August 1982) is recognized as one of the finest fiction writers of 20th-century Bengali literature. His works often delve into the complexities of family relationships and the psychological nuances of both male and female characters. While many writers employ diverse techniques in their storytelling, Nandi’s approach is uniquely distinctive. One of his most striking stylistic devices is the use of vivid imagery. In nearly all of his stories and novels, he skillfully crafts evocative pictures with words, bringing his narratives to life and eliciting a strong emotional response from the reader. As revealed in the introduction to Jyotirindra Nandir Nirbachita Galpo, edited by Dr. Nitai Bosu, Nandi had a lifelong fascination with visual art. From a young age, he enjoyed painting alongside his paternal uncle, indicating an early artistic inclination. Inspired by the historical novels of Rameshchandra Dutt and the literary works of Rabindranath Tagore, Nandi began to explore the potential of imagery in fiction. This fusion of artistic sensibilities resulted in a distinctive literary voice, blending the depth of a gifted storyteller with the keen visual perception of a painter. By analyzing stories such as Nadi o Nari, Samudro, Brishtir Pore, Girgiti, Shwapad, Mangalgraho, Parvatipurer Bikel, and Jwala, we can observe how Jyotirindra Nandi masterfully integrates imagery into his narratives, enriching them with layers of visual and emotional depth. | ||
Keyword :
|